Margaret Shipman
![Leaves](https://static.wixstatic.com/media/2b2b8eca57b24cf1b005aa40c29e5b73.png/v1/fill/w_33,h_50,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/Leaves%20%20%20%20%20.png)
![Leaves](https://static.wixstatic.com/media/2b2b8eca57b24cf1b005aa40c29e5b73.png/v1/fill/w_25,h_38,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/Leaves%20%20%20%20%20.png)
![](https://static.wixstatic.com/media/edc40b_deff384ace0a44b8aa726e6bd2dc5995~mv2.jpg/v1/fill/w_980,h_1225,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/edc40b_deff384ace0a44b8aa726e6bd2dc5995~mv2.jpg)
![](https://static.wixstatic.com/media/edc40b_decb882e95ac49d194513cb30f99c715~mv2.jpg/v1/fill/w_980,h_1225,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/edc40b_decb882e95ac49d194513cb30f99c715~mv2.jpg)
![Wheel of the Year Landscapes](https://static.wixstatic.com/media/edc40b_51a54dda6aac4024a845d49d5de6b7d1~mv2.jpg/v1/fill/w_980,h_980,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/edc40b_51a54dda6aac4024a845d49d5de6b7d1~mv2.jpg)
10" x 8" oil on panels
![](https://static.wixstatic.com/media/edc40b_deff384ace0a44b8aa726e6bd2dc5995~mv2.jpg/v1/fill/w_980,h_1225,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/edc40b_deff384ace0a44b8aa726e6bd2dc5995~mv2.jpg)
This unique piece of furniture is a collaboration with Jason Breen, a master woodworker in Brattleboro, Vermont. This piece was part of the exhibit, "Guild of Vermont Furniture Makers: Evolving Traditions" at the Brattleboro Museum & Art Center (2022).
Jason's Statement -- Several years ago at the Bonnyvale Environmental Education Center, a beloved apple tree fell down due to an overabundance of fruit. Fearing the large tree would be cut into firewood, I asked if I could take the wood to create something beautiful, maybe to help raise funds for the center. When BMAC approached the Guild, I knew this was the time to use the wood.
The base and frames are all wood from this apple tree. The dome, envisioned as half globe - half sorcerer's orb, is spalted maple - sugar maple that has begun to rot. The black lines are like boundaries set up by fungal communities as they colonize the wood. These have always seemed like lines on a map to me, thus its inclusion here. However, my work has increasingly incorporated lesser-known woods and waste products. Spalted maple and apple have been used in limited amounts over the years. However, these are not generally commercially available.
​
In thinking about how to collaborate, I was looking into artists whose work also called attention to the Earth and nature. Margaret's recent paintings featured the herbs and plants of the seasons in Mandala-like arrangements, as well as the close-ups of flowers in the field, suggested the circle of the year motif divided into the eight corners of the year : Solstice, Equinox, and the midways between each.
​
This piece is available for purchase. For more information contact Jason Breen.