We used to have a deep connection to the land and an intimate understanding of the plants that grew there. My work seeks to rediscover what has been lost.

I focus on hidden stories, from the lore and medicinal properties of wildflowers and herbs to the human events that have shaped our land. I invite you to follow with me, learning about herbalism, history, and folk magic.

(Uneasy Bloom)

36" x 36" oil on canvas with mixed media collage

This painting is the first in the series A Bouquet of Rage and Grief.

I am borrowing the old, half-forgotten Victorian language of flowers, once used to say the things society would not allow to speak, to say the truths that weigh on my heart now.

New work and information will be added as completed. Please follow the link to learn more.

(Medicine Series)

Tea Blend for Healthy Sleep
26"h x 36"w
oil on canvas with oil on paper collage

These paintings are visual recipes for healing teas and tonics, ranging from "A Tea to Heal a Wounded Heart" to "A Tea for a Healthy Winter."

Some paintings depict the plants themselves, while others are accompanied by notes on folklore in the spaces around them. I’m particularly fascinated by medicinal lore and the use of herbs in charms and spells; you’ll also find poems and songs from a time when familiarity with plants was part of everyday life.

Please follow the link to see more from this series.

These paintings are visual recipes for healing teas. They range from “A Tea to Heal a Wounded Heart” to “A Tea for a Healthy Winter.” Sometimes these paintings just depict the plants in the recipe, and sometimes I write notes about the folklore in the spaces around the plants. I find the medicinal information and the use in charms and spells especially interesting, but you can also find poems and songs that were part of popular culture (when popular culture included an intimate familiarity with plants).

(Land Secret Series)

Old Guilford Road
48" x 48"
oil on canvas

All land holds stories, spanning from distant eras into the present.

This series explores places like the woods behind my home, where an ancient road winds through maple trees once tapped by the local Abenaki people. Early spring maple syrup was essential for sustaining those whose diets relied on the land, a story I include within the artwork.

Other paintings reflect sites that are now wildflower fields but were once a rural airport, a colonial battleground, or the encampment of an 18th-century army. These works honor the layered histories and celebrate their present-day role as sanctuaries for wildflowers cherished by pollinators and those knowledgeable in herbal lore.